QUOTE (Ceyah @ Mar 1 2007, 06:40 AM)

So, my question to all of you is what kind of narration do you like, and what would you want to see? For example, I've never read anything narrated strictly in first person perspective, and think it would be interesting to only know what one or a few main charactors know. I'm used to the narrator who's following from a 3rd person perspective but who can seemingly read the minds of the other charactors, or pop over to the bad guys and reveal their plots.
My personal preference is of the tight third person.
Robin Hobb, an excellent author, has three series with the tales told from First Person. Two series follow Fitzchivalry, and are about his life as a bastard son of a prince and his occupation as a royal assassin. The third follows Navare, the titular Soldier Son. I enjoyed all three immensely, but my favourite of her works is the Liveship Traders series which is in tight third person.
QUOTE (Batdan @ Mar 1 2007, 06:54 AM)

I would imagine writing first person would be pretty hard. How would you flesh out the other characters?
Same way you have a concept of other people even though you only hear your own thoughts. You observe. First Person, when used well, actually draws people in quicker than the more distant third and gives you freer reign to comment on the emotional state of your protagonist as well as offer misleading interpretations of other characters' actions.
QUOTE (Owl @ Mar 1 2007, 07:02 AM)

in George R. R. Martin's Song of Ice and Fire serries, each chapter is done in the perspective of a character (it anounces which character your reading at the chapter page).
This is a masterful example of the tight third person, which contrasts with the more traditional omnipotent third person used in noves.
QUOTE (Ceyah @ Mar 1 2007, 07:16 AM)

I was plannin on switching perspective between the three main chars, though a bad guy or two isn't a bad idea at all...
What about how I refer to the chars, do you think that "I" should be a no-no outside of dialogue, or is it okay?
I've read The Bronze Canticles by Tracy and Laura Hickman, The Vampire Earth and The Age of Fire by E.E. Knight, I think all of the Redwall books by Brian Jacques (I might have missed some... good books!), and probably my favorite, the Sword of Truth series by Terry Goodkind...
I dunno, some of those seem kind of like they are first-person...ish. Like the person involved is telling you the story all in the past tense, while I am writing in a present-tense first person perspective. "I feel the wind...<whatever>"
Generally, you want to avoid writing in the present tense. Our storytelling in English is generally done in the past tense, and it is jarring when the tense switches over quickly. As for using words like "I" or "my" in a story outside of dialogue, you either do it all the time or none of the time. Consistency is crucial. Nothing says amateur more than someone who can't stick to a tense (unless the change is to make a point).
QUOTE (Kayhynn @ Mar 1 2007, 07:19 AM)

I very -rarely- write in first person. the one and only time I did, well I ended up re-writing it and it was 10xs better. It all depends on your style, not what everyone else thinks or does.
It depends on what you're more comfortable with as well as what you're more practiced at. The type of story also plays a factor. I have had some notable success in writing comedy in the first person, whereas I find the tight third person more useful for drama and action.
QUOTE (Neep @ Mar 1 2007, 09:13 AM)

Most of what I read is in the third person. Sometimes in a first person omniscient (Follow one person's way of thinking, with little add ons when you need it.) Pure first person can jog me a bit at first, but as the story progress... I'm not sure if normaly the author ditches it, it becomes less relevant, or I just notice less.
You notice it less. You brain reads First Person stories as though someone were telling you their story once they adjust to the oddity of it. Third person are more common, though, and so it takes much less adjustment to read those smoothly.