After reading this book and being myself a regular of this webcomic, I remembered Mr. Sohmer posting his disdain for last year's Drizzt book, The Pirate King. Like him, I also did not love the book. I actually felt the same way he did--it was definitely a crappy story and I honestly believed this book was the pits compared to the rest of the +10ish books of the series. Although he didn't feel the need to continue with Salvatore's Drizzt series, I gave it one more chance. If this last book of the trilogy sucked, no more Drizzt. I preordered it, got it signed, and dipped my feet in.
I have to say I believe Salvatore has definitely redeemed himself.
I've read every book of the series and even the Artemis Entreri trilogy that branched off from the Drizzt series. The Crystal Shard (Crenshinibon) was mentioned and done so many times during the course of both book lines that I felt that its reintroduction in The Ghost King was rather disappointing. However, I also realized that the introduction of new villains by Salvatore were usually not very well handled, like in The Pirate King and The Orc King (I still don't know why a gnome was chosen as a villain in that book). So when I read on that the Haphaestus the Red Dragon and Yharsaskrik the Illithid from the Entreri series and Crenshinibon from both series were introduced as one main villain in The Ghost King (not a spoiler), I was actually pretty impressed with the way Salvatore handled it throughout the course of the book. I really liked this "Ghost King." And then there comes Drizzt and the gang. There is no Wulfgar, barely any Catti-Brie, and close to nothing Regis in this book. I think Salvatore took a balls to the walls gamble with this book and decided to focus on only Drizzt and Bruenor. It worked out well, because Drizzt and Bruenor were probably the only two likeable characters of the Companions of the Hall (no offense to any differing opinions). Salvatore also focused on Cadderly, the priest from Spirit Soaring, and his family. I didn't care much for Cadderly (I never really got started on his own books) or his family. I still don't care much for his family (except for maybe his wife, she's a pretty awesome monk) and dwarves Ivan and Pikel. But Cadderly really shined in this book, especially during the final battles.
Salvatore still knows how to write his battles and the book is full of them. The pacing at the beginning of the book was somewhat slow, but from then on was very satisfactory. I actually didn't want to put the book down (but I had to since it was exam week) from the middle of the book to the end. The tone throughout the book was consistently morbid, sad, and ominous. Sure, there were some funny jokes thrown in, but this book, overall, is not for the faint of heart. It contains themes of moral choices, death, and religion (within the D&D world). The plot was well written and believable. I didn't feel cheated as I did in The Pirate King, where *spoiler* characters would die and I would ask, "why would you waste such a perfectly good character?" *end spoiler*. When things happened in the book, they made sense.
Each character's actions were believable and also unpredictable yet true to their character. Jarlaxle and Athrogate make a grand and significant reappearance, and I believe those two are the best characters that Salvatore had created. Drizzt is as emotional yet deadly as ever and Bruenor is just pretty damn awesome. Gutbuster Thibbledorf Pwent also makes a lively main cast. Pwent and Athrogate make the bulk of the humor here and rightly so, if you are up-to-date on the reading for both Drizzt and Entreri series. The ending is conclusive yet it also hints a possibility of more future Drizzt books. I'm not too sure. If I elaborated any further I would be spoiling it.
Overall, every side-plot (it's never a Salvatore book without attention to at least three different bands of characters) converges neatly into the main plot (although the one with Bregan D'aerthe felt rather insignificant and wasteful, though Salvatore was short and precise with them). The battles were fantasticly written. The ominous tone rang throughout the entire book. The characters were believable. The main characters were very likeable (especially with only Drizzt and Bruenor as the active Companions of the Hall) and the side-characters...not so much but acceptable. To Sohmer, if you read this far, give Drizzt and his companions (technically, just Bruenor), and the myriad of Salvatore's other almost equally cool characters just one more chance. To everyone else well versed in the Drizzt lore, if you were disappointed with The Pirate King, you don't have to hold your breath for The Ghost King because its absolutely amazing and satisfactory end to the trilogy. This is indeed an exciting read.
I will warn you that the tone of despair throughout the book does carry to the ending, so be prepared for one.