QUOTE(Rip Van Ishmael @ Feb 28 2008, 07:48 AM) [snapback]166420[/snapback]
Besides, even if Cale loses his crown jewels, I'm sure Richard could find him some replacement cajones. And he'll even have a large variety to choose from!!
*groan* Oh God, now I can see some horrible
"(Re)grow some balls already, Cale!" jokes coming on...
In other news, it looks like now we know the name of the torturer? Richard talks about giving gratuity (for a job well done? his humour is indeed strange), and tells the guards he wants to be sure it [the money] gets to "Landor".
QUOTE(nothingbroken @ Feb 28 2008, 08:14 AM) [snapback]166440[/snapback]
The idea of Krunch being tortured makes me very sad!

He's such a strong figure, I'd hate to see him being demeaned like that.
Remember the scenes from Babylon 5's season 4, when G'kar was prisoner at the Centauri homeworld and the insane Centauri emperor had him tortured in front of Londo Mollari? "I want my scream! Make him scream." Something like that.
QUOTE(Lapislazuli @ Feb 28 2008, 08:20 AM) [snapback]166441[/snapback]
I wouldn't be surprised if Sohlar decide to make the story much darker than it used to be. I've known some comics that turned out to be pretty dark and gory and gothic toward the climax of the plot despite it having a much more lighthearted beginning that would lead you to believe that it's intended for kids at first.
Yes, many comics go that route, and it's not always a good decision. Too many writers think that
"True Art is Angsty" and you automatically get a better story if you add enough gore and trauma, but sometimes less is more. Don't get me wrong, I like "dark" stories, but... if you make things too dark, I'm afraid we'll hit a point where Richard's antics frankly won't be funny anymore.
Heck, the comic
already had scenes of cognitive and
moral dissonance between Richard acting out his homicidal tendencies for laughs and getting off scott-free... and everything that happens to the other characters, which has real impacts. We've seen Tah'Vraay cutting fingers off the Vulii marine soldier, we've had Richard burning off half the lion-headed pirate's body (technically fatal), we've had Cale emotionally torturing himself over the decision to kill the kid. It's like a drama colliding frontally with a Bugs Bunny cartoon. Don't need to make that dissonance worse.
QUOTE(Lapislazuli @ Feb 28 2008, 08:20 AM) [snapback]166441[/snapback]
The joke (?) Krunch made about Benny being sold to slavery makes me think that Benny is next.
It would be interesting if the guards get the shackles off Benny and take her to the commander, and he, underestimating her, tries to intimidate or rape her only to have her punch his lights out... and then grab her staff from his weapon's rack, flee and overpower a guard in the dungeon. We've previously seen Benny do hand-to-hand combat, i
n the tavern. The idea "pretty girl turns into martial artist and turns the tables on the villains" isn't exactly new anymore, what with all the female action heroes (Xena, Buffy, Kill Bill movies, or the historical Jean d'Arc), in fact I'm pretty sure the
TVTropes Wiki has an entry for it

but it would be fun to see if BENNY was the one to rescue the others. Because everyone expects Krunch or Richard to save the day.
QUOTE(Hekateras @ Feb 28 2008, 08:27 AM) [snapback]166444[/snapback]
I'm actually rather convinced it isn't Cale getting tortured. I'm expecting some kind of 'funny, I've never heard his voice sound like that' comment in the next page. My theory is that he managed to break free and now... (snip)
Oh come on, don't you start on this pet-hypothesis now, too! *rolls eyes* When Rip van Ishmael brought it up, I really hoped no-one would jump on that wagon too. I'm getting a headache here.
Look, try to apply some metatextual analysis here, ok? It's about a way a story flows; especially in a webcomic where the plot and scenes are scripted to follow a per-page structure. Situation: We the audience see a character dragged out of a dungeon to the torture chamber (off-screen). We've previously been treated to a scene of character #1 (Richard) being tortured, or actually the aftermath of the torturer's work. Now character #2 is dragged off, with the implication that he will be brutally tortured too, and we are treated to a reaction shot of the other characters looking uncomfortable while their comrade's screams are ringing in their ears and they can do nothing to help him. And... a situational joke from Richard being oblivious to the implications of Cale's screams, in the last panel, wraps up the page. There. Straightforward.
Assuming that the umarmed Cale suddenly overpowers the the guards, offscreen, and instead of screaming "Alarm!" or yelling for backup we hear "Oh gods!" and "Nooooo!"
just doesn't fit. It would invalidate the Richard-joke (
"Can elves feel pain? Hello? Will anyone tell me?", *cue Cale's screams of pain*) but most importantly, it would suddenly throw a curveball
in the last two panels. Yes, you can do that, if you go for a dramatic reveal in a final panel of a page, such as Richard suddenly bursting in and icing Tavor and delivering the punchline "No-one puts Richard in a corner." But in those cases, whatever dramatic surprise happens, it happens
onscreen., not offscreen. Things that happen offscreen are usually things which the authors do not want to show too explicitely but which are nevertheless heavily implied. Like, you know, Han Solo getting tortured by Vader in Cloud City. The camera cuts away just as he is being lowered towards the implements, and we hear his screams resounding down the hallway, and then we see him being dragged back into the cell. Come on, what do you think happened? Maybe Vader screamed because a guard had dropped a hot mocca latte into his lap??